On of my favorite sporadic series of posts I ever did on Tumblr was "fandom essays I'd like to read but feel unqualified to write". It worked really well when I had a fandom idea that I wanted to express, but didn't feel confident that I could write a full essay (with proof and arguments and so forth) that would be worth reading.
(That said, I still sometimes wrote up SOME supporting points for my imagined essays. They are included in cuts below.)
My first post, in January 2016, was titled "I am going to start a series titled Fandom Essays I'd Like To Read But Feel Unqualified to Write".
One of them would definitely be Provided, Of Course, That All Is Well: A Comparison of the Symbolism and Narrative Functions of Steve Rogers and Carrot Ironfoundersson.
(Unfortunately, I know very little of Marvel canon beyond the MCU so anything I wrote would be heavily fanon-influenced.)
The second one, just a week later, was Another One For the Pile.
“We’re Bad Guys, It’s What We Do’: The Meaning and Marketing of Transgressiveness in Suicide Squad”
( Read more... )
A couple of weeks later, I was back within another one:
Eroticizing the Overwhelming: Slavery, Submission, and Rape in Captive Prince
A few notes under the cut (content warning for rape, sexual assault, CSA, and other messed-up stuff):
( Read more... )
Next is the one I'm maybe the most proud of:
Now and Forever, No One Would Save Him: Raising a Chosen One In Ender’s Game and Harry Potter
(I mean, yes, they’re both Jesus narratives. But it’s the similarities in how the two characters are groomed, contrasted with the differences in what the groomers hope each hero will ultimately do, which I find so interesting.)
After I finished the entire Captive Prince trilogy, I had another essay I wanted to write:
The Sovereignty of Empathy, the Logic of Trauma: Love and Trust in the Captive Prince Trilogy
(cynical subtitle: How C.S. Pacat Wrote The Platonic Ideal Of A Codependent Relationship And Made Us Love Every Word Of It)
I'm realizing that these almost all came from 2016. Another personal favorite:
At the End of the Universe, A Band Is Playing: Tracing The Narrative and Stylistic Influences of Welcome To Night Vale
(The point I wanted to make, which I didn't make very clear in the original Tumblr post, is that the common description of Night Vale as "a mix of Stephen King and the Cthulhu Mythos" is actually completely incorrect. I would trace the influences of WTNV back, rather, to the dark humor of Douglas Adams, i.e. The Restaurant At The End Of The Universe, and the horror-adjacent science fiction works of Ray Bradbury, e.g. Somewhere A Band Is Playing. Doesn't "somewhere, a band is playing" even sound like a WTNV line?)
Then I got a little salty about the show Sherlock and Moffat's obsession with Great Man stories:
"Not Everything Is Deducible”: Aggrandizement, Deconstruction, and Male Mary Sues in Sherlock and Elementary
Skip forward almost a year, to mid-2017, and I got a little excited about Fast & Furious 8, aka The Fate of the Furious:
“Daddy’s Staying Home”: The Evolving Appeal of The Fast and Furious Franchise
(Subtitle: F&F is turning into a fanfiction of itself and I am HERE FOR IT) (spoilery tags behind the cut)
( Read more... )
Next came an essay that I'd actually fully outlined before deciding I didn't want to write it:
The Triumph of Elektra: The Troubling Subtext of Innocence Reclaimed in Labyrinth
(this is technically not an essay i feel unqualified to write, but rather one that i’m hesitant to write. i generally dislike “nostalgic childhood property turned grimdark!” fan theories as much as the next person. on the other hand, the events and themes in Labyrinth are kind of creepy when you start to think about it, especially given the whole “Jareth is the magic-world parallel to her mother’s boyfriend” thing.)
The next essay, from late 2017, I actually titled "an essay I might be able to write after seeing The Last Jedi a few more times""
“You’re Nothing, But Not To Me”: Romance Heroes and Anti-Heroes from Pride and Prejudice to Star Wars.
(I am SO sorry y’all, I know that Kylo Ren and Reylo Discourse™ is kind of a mess. But I saw The Last Jedi an hour ago and I just…I really need to talk about how thoroughly they Reverse Darcy’d Ben.)
And the final entry, in late 2018, was regarding the Black Jewels trilogy by Anne Bishop.
fandom essays I’d like to read but feel unqualified to write: “holy shit these books, y’all” edition
Father, Brother, Lover, and (Chosen) Child: Visions of Female Power and Gender Relations from Female Speculative Fiction Authors
Along with everything else I did this weekend, I managed to read the entire Black Jewels trilogy by Anne Bishop. And while the plot and setting peripherals were just as over-the-top* id-ficcy as I’d heard, a lot of the thematic elements felt oddly familiar. Like, “super-powerful female child will be our savior but must be guided and helped by a variety of male figures, including a weird jealous scramble around who gets to be her romantic/sexual partner” - I have read that Anne McCaffrey novel AT LEAST three times. The way that consensual, non-violent sexuality is present but muted (extremely non-explicit and peripheral) while violence (both sexual and non-sexual) is foregrounded and described in relatively explicit detail, reminds me of several entries from Mercedes Lackey’s body of work. And the tone - likely progressive for its time, but leaning heavily on “one/a few Worthy Women contrasted with Those Bitches” and gender essentialism - feels so tied to both a cultural moment and the prominent female spec fic writers who were popular at that time.
*and the peripherals are, don’t get me wrong, banana-pants bonkers. Things I said out loud while reading Daughter of the Blood: (cut because of various content warnings)
( Read more... )
(That said, I still sometimes wrote up SOME supporting points for my imagined essays. They are included in cuts below.)
My first post, in January 2016, was titled "I am going to start a series titled Fandom Essays I'd Like To Read But Feel Unqualified to Write".
One of them would definitely be Provided, Of Course, That All Is Well: A Comparison of the Symbolism and Narrative Functions of Steve Rogers and Carrot Ironfoundersson.
(Unfortunately, I know very little of Marvel canon beyond the MCU so anything I wrote would be heavily fanon-influenced.)
The second one, just a week later, was Another One For the Pile.
“We’re Bad Guys, It’s What We Do’: The Meaning and Marketing of Transgressiveness in Suicide Squad”
( Read more... )
A couple of weeks later, I was back within another one:
Eroticizing the Overwhelming: Slavery, Submission, and Rape in Captive Prince
A few notes under the cut (content warning for rape, sexual assault, CSA, and other messed-up stuff):
( Read more... )
Next is the one I'm maybe the most proud of:
Now and Forever, No One Would Save Him: Raising a Chosen One In Ender’s Game and Harry Potter
(I mean, yes, they’re both Jesus narratives. But it’s the similarities in how the two characters are groomed, contrasted with the differences in what the groomers hope each hero will ultimately do, which I find so interesting.)
After I finished the entire Captive Prince trilogy, I had another essay I wanted to write:
The Sovereignty of Empathy, the Logic of Trauma: Love and Trust in the Captive Prince Trilogy
(cynical subtitle: How C.S. Pacat Wrote The Platonic Ideal Of A Codependent Relationship And Made Us Love Every Word Of It)
I'm realizing that these almost all came from 2016. Another personal favorite:
At the End of the Universe, A Band Is Playing: Tracing The Narrative and Stylistic Influences of Welcome To Night Vale
(The point I wanted to make, which I didn't make very clear in the original Tumblr post, is that the common description of Night Vale as "a mix of Stephen King and the Cthulhu Mythos" is actually completely incorrect. I would trace the influences of WTNV back, rather, to the dark humor of Douglas Adams, i.e. The Restaurant At The End Of The Universe, and the horror-adjacent science fiction works of Ray Bradbury, e.g. Somewhere A Band Is Playing. Doesn't "somewhere, a band is playing" even sound like a WTNV line?)
Then I got a little salty about the show Sherlock and Moffat's obsession with Great Man stories:
"Not Everything Is Deducible”: Aggrandizement, Deconstruction, and Male Mary Sues in Sherlock and Elementary
Skip forward almost a year, to mid-2017, and I got a little excited about Fast & Furious 8, aka The Fate of the Furious:
“Daddy’s Staying Home”: The Evolving Appeal of The Fast and Furious Franchise
(Subtitle: F&F is turning into a fanfiction of itself and I am HERE FOR IT) (spoilery tags behind the cut)
( Read more... )
Next came an essay that I'd actually fully outlined before deciding I didn't want to write it:
The Triumph of Elektra: The Troubling Subtext of Innocence Reclaimed in Labyrinth
(this is technically not an essay i feel unqualified to write, but rather one that i’m hesitant to write. i generally dislike “nostalgic childhood property turned grimdark!” fan theories as much as the next person. on the other hand, the events and themes in Labyrinth are kind of creepy when you start to think about it, especially given the whole “Jareth is the magic-world parallel to her mother’s boyfriend” thing.)
The next essay, from late 2017, I actually titled "an essay I might be able to write after seeing The Last Jedi a few more times""
“You’re Nothing, But Not To Me”: Romance Heroes and Anti-Heroes from Pride and Prejudice to Star Wars.
(I am SO sorry y’all, I know that Kylo Ren and Reylo Discourse™ is kind of a mess. But I saw The Last Jedi an hour ago and I just…I really need to talk about how thoroughly they Reverse Darcy’d Ben.)
And the final entry, in late 2018, was regarding the Black Jewels trilogy by Anne Bishop.
fandom essays I’d like to read but feel unqualified to write: “holy shit these books, y’all” edition
Father, Brother, Lover, and (Chosen) Child: Visions of Female Power and Gender Relations from Female Speculative Fiction Authors
Along with everything else I did this weekend, I managed to read the entire Black Jewels trilogy by Anne Bishop. And while the plot and setting peripherals were just as over-the-top* id-ficcy as I’d heard, a lot of the thematic elements felt oddly familiar. Like, “super-powerful female child will be our savior but must be guided and helped by a variety of male figures, including a weird jealous scramble around who gets to be her romantic/sexual partner” - I have read that Anne McCaffrey novel AT LEAST three times. The way that consensual, non-violent sexuality is present but muted (extremely non-explicit and peripheral) while violence (both sexual and non-sexual) is foregrounded and described in relatively explicit detail, reminds me of several entries from Mercedes Lackey’s body of work. And the tone - likely progressive for its time, but leaning heavily on “one/a few Worthy Women contrasted with Those Bitches” and gender essentialism - feels so tied to both a cultural moment and the prominent female spec fic writers who were popular at that time.
*and the peripherals are, don’t get me wrong, banana-pants bonkers. Things I said out loud while reading Daughter of the Blood: (cut because of various content warnings)
( Read more... )